poems by rachel kellum

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2026 Rachel Kellum 2026 Rachel Kellum

How to Handle a Narcissist from Space

Respond to his self-serving praise with a thumbs up.

Say nothing.

Twiddle your thumbs.

Fiddle with the floating mic with your friends:

Stand it up, lay it down, watch it drift, spin it like a drill.

Clap and laugh like kids at these antics while he waits.

Use comm delay to your innocent advantage.

Let him sit in silence a full minute.

Pretend to wonder if you lost contact.

Ask if ground is still on the line.

I am, yes, I am, says the narcissist.

Listen to the crowd laugh on your beautiful planet.

Do not apologize.

See 8:30-10:00 of Trump calls Artemis II astronauts after historic moon flyby: 'We'll plant our flag again'

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2026 Rachel Kellum 2026 Rachel Kellum

Christina Hammock Koch, Mission Specialist, Artemis II

Her bare face framed

in a floating halo

of untamed hair

she adjusts her socks

plays with and parts

a shoulder curl, nods

and smiles, like I do

patient, while men talk

about stars, turning

toward black space

lights out, to see them

not twinkling (she shakes

her head, mouths no)

just perfect pinpricks

of light, he says.

Someone, please

pass her the mic.

See Do You Still See Stars In Outer Space? Kid Asks Astronauts Aboard Artemis II

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2026 Rachel Kellum 2026 Rachel Kellum

with Yeats

What if every two thousand and odd years something happens in the world to make one sacred, the other secular; one wise, the other foolish; one fair, the other foul; one divine, the other devilish? What if there is an arithmetic or geometry that can exactly measure the slope of the balance, the dip of the scale, and so date the coming of that something? W.B Yeats, A Vision

It didn’t take long for the magpies to come back.

They are not falcons. I call them in with seedy fat.

We live on the widening gyre of justice now,

just outside the narrowing corkscrew tongue of raw power

shrinking like an old god’s cock after 2,000 years,

his self-made cage rattled with raging whimpered tears.

see W. B. Yeats and the Cycles of History for a discussion of the gyre of his famous poem, “The Second Coming.”

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2026 Rachel Kellum 2026 Rachel Kellum

nausea

you rise like a flood

no floor in me is higher

one now, we let go

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2026 Rachel Kellum 2026 Rachel Kellum

The Beauty Years

In the years of my beauty

like you, I was too thin

waking with shaking arms

sugar starved blood.

A milk jug was too much

for my hand

aching with the effort

of doorknobs, keys, pens.

Early arthritis, I guessed

remembering my mother’s

bent knuckles. It wasn’t.

I was simply starved

but for the gaze of men

trained to like us thin

and weak as little girls.

What a gift are my fifties—

this body filling in, juicy

sweet as a newly wrinkled plum

becoming pink wine

softening my husband’s belly

sip by sip, drunk on me

drunk on him.

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2026 Rachel Kellum 2026 Rachel Kellum

Dementia in the Digital Age

From the nicest room in the home

with three large closets and the only private bathroom

she likes to report as an inventory of blessings

every time we talk— and two twin beds

with a space between where she and her husband

reach across to finger-kiss goodnight,

Mom sends photos I already sent her of my last visit,

all day, in duplicate, triplicate, quadruplicate, no words.

No responses to my questions or comments.

No hearts or smiles or praying hands.

But sometimes, I love you, all caps.

And photos of her decades ago in 1980s prime, one

in a black and red tailored suit dress and 3-inch heels

flanked by fat, balding bosses who flaunted her

like the jewel she was to lure business. Sent twice.

And another, only once, of her white-haired mother

at her side, grandma’s Colorado mountains behind,

Mom’s tiny waist cinched with a belt around

a fitted blue-jean jumpsuit. And this one, thrice:

she and her oldest daughter together,

gorgeous, smiling, always mistaken as sisters.

And this one, at least four times a week:

her mother tucked against her scowling father,

cigarette aloft behind his youngest daughter,

leaning against a white picket fence

with their five grown kids, middle-aged

Mom in black and red stripes as far away

from him as possible. Or five times, this:

sitting around a Cracker Barrel table

maybe ten years ago, her hair still dark and thick,

still donning snug fitting animal print,

with three sisters, their racist husbands

and remaining veteran brother

whom she lovingly reminded of her name

and later recounted the way his wife

rolled her eyes and scolded,

“You’ve already told that story, Wayne!”

And minutes after, this one, four times:

a cropped close-up of her at that same table,

blurry, pixelated, head held proud.

And yesterday, this one, three times:

Mom’s right arm reaching around her oldest,

now-estranged son with two kids on his knee

and her left around her youngest girl—

long curled, who died five years after that,

her hand on my shoulder—and my older sister

and I, on the floor before her with our daughters

in our laps. Mom’s smile huge, satin blouse signature red.

Her house, a nest she bought herself. Behind us,

in a vase she had carefully arranged, burgundy

silk flowers bloomed on long, plastic stems.

Perhaps it was Christmas. Perhaps it always is.

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2026 Rachel Kellum 2026 Rachel Kellum

Easter Art Class

I started the day singing

with children I love

placed palettes of paint

paper and brushes

at every seat

to help them celebrate spring

and laughed with them

at their muscled bunnies

sang about their purple rain

pointed out the beauty

of their blue-black storms

and even the red

dripping from the upper edge

of the page

of a fifth-grade girl

old enough

to know how soon

the newly born

face danger.

I hung her work

in the hallway

where it took

its rightful place

among

festive eggs

and pink tulips.

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