poems by rachel kellum

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2012, Bönpo-ems 2012, Bönpo-ems

No metaphors for

Say hello to the great shining
embroidered with your fleshy personality.
(The shining may be a clear hole, but if that scares you
think instead a rimless, bowlless, friendly bowl.)
I pull at our tight threads with poems.

Unraveling, I talk too much.
I’m paid to tell you what I know, but there are holes
in knowing funneling toward the shining hole,
and you fall through. I can’t catch you.

You can’t catch me.
We think our words are handholds,
or that our hands are words, but they are only bumps
stalling speed so fast it’s empty, so vast
even the sky falls through.

2012

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2012 2012

Distances

Geological, mythological,
biological, neurological,
psychological, theological.

Perhaps there is no logic at all
in the urge bridging
or forcing the gap

between this earth, this story,
this skin, this charge,
this mind, this god and that.

2012

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2012, Bönpo-ems 2012, Bönpo-ems

Where Words Wait

When I am nearly quiet
and perfect words appear,
silence is more perfect.

I tuck the precious phrase
behind my ear like windy hair,
or gum to save for later chewing.

I promise words a quick return.
My most important work requires
such wild undoing: an empty mouth.

2012

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2012 2012

The Work of Dogs

Like my young pup
I can’t resist nosing dead starlings
in the back yard of my heart.
I snatch up every one
in my well-fed jaws and dart.
Yell for me all you want.
I’ll come back when I’m done.

2012

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2012, Bönpo-ems 2012, Bönpo-ems

Hopeful Ruin

Looking for what is holy in my aversion,
I close my eyes to take in the burning
of my inner bureaucracy, plastic hallways

puddling in a maze. I leap through oxygen
of a most stubborn desire—the fuel
of my decade-long moment of hopeful ruin.

2012

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Catch and Release

We wait for it
The writhing hatch to flow
from fresh mouths

Can’t resist
the fleck, wet wings
quilting light

Hit quick
Hunger numbs
the lip to the nick

Thrill the swim
against our own mouth
and every known current

Pulled by unseen line
into someone’s sight, the pool
of a chest, the net

We pray for wet hands
To be inexplicably held
and slide away unscathed

No hand-shaped cloud
tattooed upon
the skin’s egress

2012
featured in Riseforms

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2012 2012

So that I may better love him

The moon in my blood
is not afraid

of the shadowy tents
of your crowded refugee camp,

the stolen doorknobs
of your childhood hospital,

the quiet drawers
of your small corporation,

the crumbling walls
of your rainbow monastery.

It calls them out by name,
locks eyes, says

Tell me why. Take me
to your leader

so that I may kiss
his shining, edgeless face.



2012
with thanks to Valerie Haugen for most of the seventh stanza

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2012 2012

Despite

being a child of many pneumonias
bearer of my mother’s tales
of those who fell asleep and never woke
lungs full of death’s water

scarf wrapped tight around neck and mouth
hood up, gloves tucked, buttoned to the throat
I rolled out three forbidden white globes
and made my first frozen man.

A rebel glowing
with countless chest xrays
lungs unstung by cold
I learned how snow sticks to snow

how to tell the truth
of righteous disobedience
for there he stood and I
would not tear us down.

2012

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2010, 2012 2010, 2012

Snowwomen

Snow lies upon
tries to cover

whiten our desire.
Desire becomes

only more pronounced
stark red grove

reaching, sagging
wet weight, all

else erased. Even sky.
I, too, have watched it

disappear only to find it
widen inside.

2010/2012

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