
poems by rachel kellum
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lit
it is hard to guess
what dead friends
are up to. we try.
is jack still scat-
steering the night,
one hand waving
an onyx phallus
overhead like a flare,
the other wild
on the wheel
of the moon?
are james’ big sky
country eyes still
sharp as down
on the angel of shavano,
climbing her lone pine?
do you hear her
baby talking the
red wing blackbirds,
cooing at that squirrel,
patiently snapping
elm twigs
for the final fire?
or have they both
long ago flown the smoke,
mesmerized no more
by visible breath,
gone, swallowed up,
inhaled by light, each
the pure silent word
they always were,
flint at the lips.
in loving memory of poets Laurie James and Jack Mueller
Deliverance
From wherever you are, I guess you’ve seen
I’ve written all the ways you abandoned me.
But not today. There will be more: soggy little
madeleines waiting to unearth more grief,
but also more of something else I can’t quite find
one word for: joy? love? warmth? Too simple.
Your diamonds, Dad, so few in the proverbial rough:
that matted teddy bear. That antibiotic syringe
you delivered after midnight from Chicago
to my Sangamon river childhood fever.
That Illinois sunset drive—me just home from college
abroad—you driving us through the low, orange light
of the neighborhood, slow, talking about the meaning
of life, not the usual Mormon lines, but yours,
that pithy philosophy earned by imperfect living
and loving Louis L’Amour as much or more than scripture,
those good ‘ol boy aphorisms only white guys
dream up, pass to sons and son-like daughters
like campfire liquor. I wasn’t quite the right audience,
but still I polished off every shot, happy just to talk.
That Utah hike, the one that made me cry for hours,
mountain love our new and short-lived bond.
That one a few years after that. Two hikes are what
we got. Our Rocky Mountain smiles. That phone call
after my second divorce, the one in which I said
I understood how you could leave and forgave you
and your voice cracked into 3 words: Thank you, buddy.
That other precious, pacing call, the one in which
your recent Lewy bodies diagnosis made you say,
If I ever forget you, just know I’ll never forget you.
I always wanted more of you. That’s all. Hungry,
I picked you apart, all your warts and flaws, piled high
your bigot bones to talk myself out of needing you.
I chewed you up, your every rib of error my fuel.
I don’t think I am cruel. I even made a costume
out of you, tried on your blues. Learned and buried
you. Birthed, exhumed you from my chest, the whole
mess of us, no longer a child stuck at the precipice
of your absence, forever six. Today, I am fifty-one,
full grown, sprung like Athena from your head-
stone. When my throat burns with pride at my own
daughter’s life, firefighter like you, proudly displaying
your retired helmet and walking in your huge boots—
lifting severed legs from cars, their warmth a rising mist;
pumping life back into crumpled children; shrunken,
pallid drug addicts; stinking, stained homeless men;
suburban mothers and CEOs hunched over plates
of steaks, choked; delivering dogs from flaming
windows; finding them dead under beds (which makes
her cry); scolding hotly the father who taped shut
his disabled daughter’s mouthy mouth, a joke, he said—
I realize while you weren’t saving me, weren’t building
my bones with the million moments many fathers
give like milk to children weaning from their mothers,
that milk of presence, fortitude, you did give thirty
years of mornings and interrupted sleep to pulling
countless people out between the legs of death,
the mother of their worst moment, delivering, saving
multitudes of sentient beings, every one my mother,
your mother, in myriad other lives, the Buddha said.
For this, I thank you, buddy. Your mother, we all,
are proud, hold you in the arms of our gratitude, promise,
in turn, with love, to save you—from yourself, your dead,
that lineage of fathers who left you in the womb.
Though I Cringe When White Poets Write Poems about Coyotes
tonight one howled north
at the foot of the mountain
and its echo howled south
talking to itself, enlarging
its lonesome pack by sonic
subterfuge. One times one
still equals one. Stopped
in our tracks by the eerie
symmetrical tune, my dog’s
head followed the howl back
and forth, back and forth,
a slow metronome.
The Story Goes
Did you ever cry, Granny, as a tiny girl, an old woman,
missing your missing father—sun-stroked in an Illinois field,
so the story goes, and never quite the same (tap the head)
after that. Or torn by some disorder without that helpful word—
found by grandkids in a 1950 census to have spent four decades
behind security hospital bars, having once thrown a man
down a flight of stairs, declared criminally insane. (Dead,
you told your sons, my father died when I was young). It is not
your lie but truth that feeds my terror. Did you decide
to spare your boys that swallowed pain, that shame,
stoic, your mouth ever turning a cheek to their kisses,
to ours, no granddad for them to speak of? Did they know?
Or did you simply fear his seed in them and pray for drought.
Pregnant with my father, holding the hand of a toddler,
did you watch your husband, lost inside, exhausted,
drive off past the last gasp of the Great Depression?
Did he truly leave you three for California gold
as you always told them: that no good S.O.B.,
the family refrain? Did you know he later claimed
he tried to see them but was told to stay away
by your husband? Your sons don’t need you, I imagine
you spat like bloody teeth from the door frame.
They think you nothing but a no good S.O.B. So, he gave up.
You changed Dad’s middle and last name to match
his new father’s, a gentle dairy farmer, who saved them,
like my stepfather saved me, made them tough.
Thank you. If only erasing a father’s name were enough.
I want to think you did it all to stop the secret crying,
so young, so old, the way I did, the way I spent a lifetime
trying to matter to your son after he left us four kids
for his own 70s gold: freedom on a yellow-striped road,
a nurse’s bed—that rumor sent through a slant-lit phone
that shrank my mother down to a mute claw. Still,
I didn’t escape my father’s wily thread: left husbands,
too, for more, for more. Gave up on marriage to live.
Those years I loved him best, Granny, bested him,
your ex and your dad, too. (I wish I knew. I wish I knew.)
My kids would never miss their fathers, never long for me.
We fill the emptiness inside each other like nesting dolls,
seeking, never finding, the smallest nor largest doll—
that ancient animal one that holds or is the core
of us all—nor even the doll we are, just sensing that tiny,
receding, insatiable hole, as if it were only ours.
Knee Deep in the Water Somewhere
For Brittany
When your husband has gently
requested a break from the constant stream
of Jimmy Buffet, and you’ve finally
given away all the flamingo flotsam
your family thought you loved—you,
whom they mistook for a beautiful, pink,
strange bird, balanced on one foot
in the front yard of their lives—
and your new, somehow oldest friend,
on a scorching alpine desert trail
that burns beloved dogs’ feet, assures you
after hearing the longing in your voice
for cool sand, your heartsick song for the sea,
that, yes, yes, you must go, go to the beach—
well, then, you must go. Go where the body
wants to go. You cannot lie to the body.
And while her heart breaks to send you out
of this quiet, dark sky valley, with its cacti
and sand dunes, its desperate children
in whom you believed, its blood-red string
of sunset mountains, she knows this place
is not your home, this crusted graveyard
of a once inland sea. “Fly off, sweet friend,”
her heart thrills. “Though, you are no bird.
No net ensnares you. You are a free
human being with an independent will.”
with thanks to Jane Eyre, our first book, for the final lines
A Party of Pinyon Jays
I wake to dozens of dusty blue pinyon jays laughing nasally
at the feeder hanging on the piñon outside our bedroom window.
They decimate the suet brick in minutes—neither they nor I know
they are going extinct—peck with great lust, share the small feast.
Two orange headed, yellow breasted, black winged western tanagers
hang back, do without—neither they nor I know they are abundant—
lick remaining grease from the empty basket when the jays go.
I notice I prefer their sunny timidity to the greedy racket of blue.
On a nearby limb, a magpie watches me mount the stool. Takes off
to tell its mate. I refill the basket. Wait. Each bird plans a coup.
Muted tanager approaches the feed. Giant magpie drops. She flees.
I clap. All clear till her return. She nibbles. Flits off. Nuthatch takes a turn.
Late morning, a single jay discovers the suet full again. Scout perched
on a tall piñon, he chortles and cries across miles of chaparral.
Come! Come! Come! Come! Come! Come! Come! Come! They do.
A recent report on the threatened status of pinyon jays:
“Defenders of Wildlife Seeks Endangered Status for Pinyon Jay,” Albuquerque, NM, April 26, 2022
The Last Cut in Our Limited Series
A shared glance of joie de vivre
then turning back to what we do:
the book, the broom, the pen, the seed,
the plate, the drill, the trail, the moon,
the sprout, the dog, the tune, the leaf,
the pill, the wash, the snow, the croon,
the call, the pan, the sigh, the cream,
the tea, the cloud, the deer, the room,
the egg, the wine, the bill, the screen,
the sink, the child, the road, the bloom,
the grill, the pine, the hen, the weed,
the wood, the soil, the hand, the shoe,
the fire, the nap, the cat, the creek,
the bowl, the knife, the rib, the coop,
the prayer, the salt, the dome, the peak,
the leg, the rhyme, the fish, the tooth,
the smoke, the time, the rain, the sleep,
adieu, adieu, adieu, adieu.
Past Fifty
Who knew I would feel
young? Except in
my bones, poor posture,
parched mornings
after nights of bottles
with mountain poets,
patio music, chosen brothers,
liberated sister-mothers
toasting the post pandemic
opening of this
end of the road town.
How can I say it?
I used to run and run.
I know that high.
My body did my bidding.
And so much wanting.
Such a drug. It wanes.
The constant longing
for more than life
can offer a young mother
already rich with children.
Joy and regret.
Strange bedfellows.
All of that in me today
in the quiet, and my love
dozing here on the sofa,
his long legs draped across
my lap, hands folded
on his belly, head tilted up
on a pillow, beautiful
in that awful pose.
We both and all of us
are for the pyre.
It’s not a metaphor.
We’ve watched it burn.
Absorbed its warmth.
But now! We are alive,
my love and I, these bones,
turning to look at each other
from time to time,
my writing arm in the sun.
The Wayback Machine
Sally Jane Seck is not only my web guru but also a time wizard. She found The Wayback Machine, an internet archive with snapshots of all kinds of old wordweeds content. This discovery is strangely comforting, like the time I found out my old dog Mojo hadn’t yet been cremated weeks after her death and was still curled up as if in an afternoon snooze in the vet office deep freeze. I got to say a second goodbye. B minus Buddhist that I am, I have a hard time letting things go sometimes. Now I can say a proper farewell. Here’s the old wordweeds homepage featuring a 10/10/2020 post. Rest in peace, WW.
Fish Heads
after Raymond Carver
Ted Fish made heads out of clay.
He was known for it, loved.
These heads are all over Salida.
Pinch lipped busts in shop windows.
Bobbing ornaments in dead trees.
One, a skinless, meat-red monolith
sits on a bank among boulders,
casting the line of its low gaze
over the Arkansas, a marker
for boaters to measure depth.
I never knew him except through
others’ grief. He died a few
weeks before I moved there.
On the table. Under the knife.
His heart.
Two heads came into my hands
in round about ways. One
from a new friend, fellow artist
and co-worker, Ben, whose
eyes teared up when he handed
it to me, a porcelain, grimacing,
two-faced thing with a hole
clear through the crown to
the throat, passage for some jute
rope I’ve planned for years to string
with fat, glass beads the color
of Caribbean swells. Maybe
I’ll finally get to it. After a story,
Barbara, poet who refuses
public farewells and left his funeral
early, gave me the other: a black face—
blue edged, sort of grinning—emerging
from white porcelain slab. The whole
thing attached to a small black canvas
with two long copper wire stitches.
I placed it on the piano where sheet
music should perch. The piano
is always out of tune, but my son
plays it anyway. Two nights ago,
on a stop as he was driving through,
the tiny head rang, watery
with my son’s invented song.
When I hugged him hello
and later goodbye, hard, I felt him
tremble, quaking in the core, a dark
face pressing through his body
into mine. In the kitchen, he talked
in low, steady tones, like there
was earth under his feet, said
when he gets back he’s drying out,
going to stop filling the hole
with every dead sailor in the sea.
“You can do it,” I said, “change karma,
consequence.” Which was too much,
another hole. You can do it is all I meant,
but saying less is hard for me. He knows.
“Thank you,” he said, and for a second,
soft eyed, lost himself among crumbs
on the counter. Then raised his head.