Crestone Poetry Festival

Crestone Poemfest 6.0, our first in-person fest since Covid hit, was an incredible comeback lovefest of intergenerational rural and urban poets from across Colorado, New Mexico and the Navajo Nation. We brought in water from all directions, in hexagonal formation.

It’s been only five days since everyone dispersed. I still haven’t caught up on my sleep, already jonesing for more creative exhaustion with the poetribe.

We cheered for child-poets, birthed an exquisite corpse, bonded over botanical elixirs and scrumptious curries. We composted jazz and poetry with SETH and the Word Mechanics at T-Road Brewery. We soul-collaged, paraded and bathed in eclipse light casting crescent shaped shadows through our fingers, hair and wicker chairs. We wrote rambling Renga and fairy tales of narrowly escaped disasters. We harvested permaculture-principled poetry from Atwoodian bread and played poetry games in the magic circles of Fluxus instructions.

We brought our favorite books to the deserted island, wandered queerly along a creek dressed in gold and sage-woven tumbleweeds and spiraled bark. We hand bound books, reimagined word-nature and danced in quantum-entangled playgrounds of mycopoetry. We ate balsamic beet poems for lunch, put people first, poetry second, and found poems everywhere anyway.

We grooved with, jarred against, jam band Black Market Translation’s joyful Punketry accompaniment, unstopped our ears with righteous fire of the Beyond Academia Free Skool of Poetry, roared with Talking Gourds elder Art Goodtimes whose bellowing mantra NO… MORE… KINGDOMS! LET… THERE… BE KINDOMS! still whisper-shouts in my mind stream while I teach valley kids how to hand-build clay pumpkins, alliterate, or stop-motion-animate charcoal drawings of women emerging from tree roots.

That final morning, we nibbled scones and jazzed grief. We crossed out our names and scribbled love notes in margins. We passed the gourd, we passed the gourd, we passed the gourd. It spiraled outward.

I’m not sure how poets save the world, but they save me—trying, re-wiring, de-commodifying—one poem at a time.

Long live the Crestone Poetry Festival.

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Along the Creek: Land Art in a Time of War

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Outside the Path of Totality