poems by rachel kellum
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Selling Poetry
I spend the money
I earned selling my poetry book,
my performance, my writing prompts.
I pump poems into my gas tank,
buy a friend a pint of poem,
feed poems to my lover for brunch,
pour cream into my poem
and honey, and sip.
after the online auction, where they were not offered
my mother’s favorites
of my high school
and college
artwork
are rotting
in a land fill
in central Illinois
beating me to it
Thinning Beets on Summer Solstice
It is right to pluck
small sprouts you planted by seed
when fear over-sowed.
See how seedlings crowd
hoard space, soil, light, and water
stunt one another.
It is not failure
not a waste to thin the rows.
Give roots room to grow.
Not one life is lost.
Stuff the sprouts, right then, into
your animal mouth.
Tender abundance!
Feed them to Love, your coven.
Throw what’s left to birds.
Away from Here
Once you return from urban anonymity
that weightless, faceless flight
strip the bed, wash its clothes
push the broom across the floor
feed two weeks of dust to woods outside your door
empty a suitcase into little rooms
grateful your body still can move to perform
such small chores and you have joyful work to do
here, at home, in a minute mountain town
where trios of children yell hello and wave as you drive by
and high school girls nod and smile, call you
by your given name as you walk the dairy aisle
and the cashier offers updates on her son
the quiet, dark hearted one you took under your wing
brilliant artist, shy guitarist, budding engineer
now a man who—like younger you, like you foretold
when both your hearts were sinking in that school
—found himself, found his people, found his will to be
wild haired, heartily embodied, away from home.
For L.M.
Instructions for Shining
Sit still in any pose with a mind
for your body’s preferences and needs.
Notice where gravity presses against you.
Disappear just above it.
Find open silence holding the hum
of the electric heater,
the oven fan cooling after biscuits.
Silence doesn’t fight noise.
It is a mother with the world
squirming on its lap.
Feel your chest soften—
butter melting, sun breaking open
above the peak, a crumb at a time
before whole radiance.
How long can you shine on everything,
everything, before you shift
to pick up the sock, the pen?
late Februrary 2026
two Tacoma haiku
if you pretend well
traffic is ocean hiss, gull
wave crash, moaning whale
webs glisten between
towers of morning roses
limber avenues
city silence
on this corner
silence is traffic thrum
whispers under
engine roar
wind chimes
under kiwi vine
climbing this pergola
where I learn
a new song
tone by tone
each running peal
of metal cylinders
I repeat
in my own voice
the body’s wind
to commit
a phrase
to memory
sing it to myself
the rest of the day
Instamatic photo—
of a stack of mixed media paper
corners fluttering
weighted with gelli print plates
pliable, playful
irresistible to small and large hands
a box of acrylic tubes, most hues
two brayers, pack of baby wipes
mineral oil, old catalogues
two heaps of fern and artemisia fronds
clover and rose leaves
waiting for the daughter, newly sonned
and mother, newly creped
to begin, to create
mother touched by daughter’s
candid shot, the mechanical click
and whirring unfurling
of the tongue of the machine
snatched and shook, placed
on a table to develop
anticipation of a moment seized
beautifully
days later
found facedown in the trash bin
by the mother
who put it in her journal beneath
this poem, finally aware
after a night of perimenopausal
moping, that photos are not
necessarily memories or validation
and the women’s printed
garden leaves and hands, layered
deeper images buried
though not memories either
will suffice to jog the mind
into sweet recall of the windy
day they made prints
an act of pre-Kodak archiving
and that the photo itself, a still life
deemed, for some reason
a poor work of art by the daughter—
is repurposed by the mother
as a guard against dementia
her own mother’s quiet new friend
who resends the same old photo
of the two of them
day after day by text
Wholly, but
In my daughter’s home
her living dream
I wake
and walk
paths of roses
between evergreens
visit jabbering chickens
rest under a pergola of kiwi
chase her glorious bubbling
little boy
wholly
I am in it
but for missing
my love’s skin
his eyes so close to mine
we are nearness blind